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In this reconsideration of Freedom (2010), L. Gibson explores the difficulty of coming to terms with Jonathan Franzen. Wide-ranging and stylistically ambitious, Freedom Reread delivers an assured, artful inquiry into Franzen's novelistic technique and public persona.
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"Despite the success and significance of Jonathan Franzen's fiction, his work has received little scholarly attention. Aiming to fill this conspicuous gap, Jonathan Franzen and the Romance of Community analyses each of Franzen's five novels in chronological order to reveal an interior logic animating his work. Jesús Blanco Hidalga integrates often separated formal and ideological perspectives to illuminate Franzen's stylistic and narrative choices, and in so doing, he discovers the concepts, typical of romance narratives, of salvation and redemption running throughout Franzen's fiction. Hidalga shows how these salvation narratives are used for self-legitimization -- not only by the characters, but by the writer himself. The author further re-assesses Franzen's use of realism and explores each novel within its cultural and political context. Combining critical rigor with interpretative boldness, Hidalga offers a solid theoretical approach to a major contemporary author. "--Bloomsbury Publishing. "Working within theoretical and critical contexts, Hidalga applies a model of the conversion/redemption narrative to the novels of Jonathan Franzen"--Bloomsbury Publishing.
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Law in literature --- American literature --- American literature --- Justice in literature --- Smiley, Jane --- Franzen, Jonathan --- DeLillo, Don.
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Franzen, Jonathan --- Postmodernism (Literature) --- American fiction --- History and criticism --- Criticism and interpretation --- United States --- 20th century --- Postmodernism (Literature) - United States --- American fiction - 20th century - History and criticism --- Franzen, Jonathan - Criticism and interpretation
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As television transformed American culture in the 1950's, critics feared the influence of this newly pervasive mass medium on the nation's literature. While many studies have addressed the rhetorical response of artists and intellectuals to mid-twentieth-century mass culture, the relationship between the emergence of this culture and the production of novels has gone largely unexamined. In A Novel Marketplace, Evan Brier illuminates the complex ties between postwar mass culture and the making, marketing, and reception of American fiction. Between 1948, when television began its ascendancy, and 1959, when Random House became a publicly owned corporation, the way American novels were produced and distributed changed considerably. Analyzing a range of mid-century novels-including Paul Bowles's The Sheltering Sky, Ray Bradbury's Fahrenheit 451, Sloan Wilson's The Man in the Gray Flannel Suit, and Grace Metalious's Peyton Place-Brier reveals the specific strategies used to carve out cultural and economic space for the American novel just as it seemed most under threat. During this anxious historical moment, the book business underwent an improbable expansion, by capitalizing on an economic boom and a rising population of educated consumers and by forming institutional alliances with educators and cold warriors to promote reading as both a cultural and political good. A Novel Marketplace tells how the book trade and the novelists themselves successfully positioned their works as embattled holdouts against an oppressive mass culture, even as publishers formed partnerships with mass-culture institutions that foreshadowed the multimedia mergers to come in the 1960's. As a foil for and a partner to literary institutions, mass media corporations assisted in fostering the novel's development as both culture and commodity.
Bradbury, Ray, 1920-2012. Fahrenheit 451 --- Sociology of literature --- Fiction --- American literature --- anno 1900-1999 --- American fiction --- Authors and publishers --- Literature publishing --- Literary publishing --- Literature --- Publishers and publishing --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- History and criticism --- History --- Publishing --- Economic aspects --- Philosophy --- 20th century --- United States --- Bowles, Paul Frederick --- Wilson, Sloan --- Metalious, Grace --- Mailer, Norman --- Criticism and interpretation --- Winfrey, Oprah --- Franzen, Jonathan --- History and criticism. --- Cultural Studies. --- Literature.
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Leven in de voorsteden in de literatuur --- Suburban life in literature --- Vie de la banlieue dans la littérature --- American fiction --- Suburban life in literature. --- September 11 Terrorist Attacks, 2001 --- Authors, American --- Roman. --- Amerikanisches Englisch. --- Vorstadt. --- American fiction. --- Influence (Literary, artistic, etc.). --- History and criticism. --- Influence. --- Political and social views. --- 2000-2099. --- 21st century --- History and criticism --- September 11 terrorist attacks, 2001 --- Influence --- Authors [American ] --- Political and social views --- Ford, Richard --- Criticism and interpretation --- Lee, Chang-rae --- Franzen, Jonathan --- Roth, Philip --- Tyler, Anne --- Jen, Gish --- Homes, Amy M.
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Rachel Greenwald Smith's Affect and American Literature in the Age of Neoliberalism examines the relationship between American literature and politics in the twentieth- and twenty-first centuries. Smith contends that the representation of emotions in contemporary fiction emphasizes the personal lives of characters at a time when there is an unprecedented, and often damaging, focus on the individual in American life. Through readings of works by Paul Auster, Karen Tei Yamashita, Ben Marcus, Lydia Millet, and others who stage experiments in the relationship between feeling and form, Smith argues for the centrality of a counter-tradition in contemporary literature concerned with impersonal feelings: feelings that challenge the neoliberal notion that emotions are the property of the self.
Affect (Psychologie) in de literatuur --- Affect (Psychology) in literature --- Affectivité (Psychologie) dans la littérature --- Emoties in de literatuur --- Emotions dans la littérature --- Emotions in literature --- American literature --- 21st century --- History and criticism --- Literature and society --- United States --- Neoliberalism --- 20th century --- Auster, Paul --- Yamashita, Karen Tei --- Criticism and interpretation --- Marcus, Ben --- Millet, Lydia --- McCarthy, Cormac --- Powers, Richard --- Franzen, Jonathan --- Affect (Psychology) in literature. --- American literature. --- Emotions in literature. --- Gefühl --- LITERARY CRITICISM --- Literatur. --- Literature and society. --- Neoliberalism. --- Neoliberalismus. --- American --- General. --- History --- 1900-2099. --- USA. --- United States. --- History and criticism. --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Neo-liberalism --- Liberalism --- English literature --- Agrarians (Group of writers) --- Social aspects
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Sinds 2000 reageert Christophe Van Gerrewey al schrijvend op wat hij leest, ziet en hoort. In honderden kritieken, essays en recensies heeft hij naar woorden gezocht om uit te drukken wat iemand kan voelen, denken, hopen en vrezen. Hij schreef scherpe, eerlijke en vaak humoristische teksten over het werk van anderen schrijvers en kunstenaars, maar ook architecten, filosofen, politici, acteurs, sportlui en hoofdredacteuren. 'Over alles en voor iedereen' is een selectie van vijfenveertig levendige en vaak verrassende stukken. Centraal staat telkens één persoon, van Theodor Adorno over Griet Op de Beeck, Michael Jordan en Luc Tuymans tot Bart De Wever. Door op een toegankelijke maar diepgaande manier over deze zeer verschillende figuren te schrijven, en vooral door hun bezigheden te interpreteren, dringt Van Gerrewey door tot de essentiële betekenis van hun daden. Zo groeit deze selectie uit tot een boek dat over alles gaat, en dat gericht is tot iedereen.
Dutch literature --- Literature --- Criticism --- kunst --- cultuurfilosofie --- literatuur --- 7.01 --- 130.2 --- De Wever Bart --- Weber Max --- Wallace David Foster --- Verschaffel Bart --- Verhulst Dimitri --- Vandermeersch Peter --- Updike John --- Twombly Cy --- Tuymans Luc --- Tarantino Quentin --- Sontag Susan --- Sonic Youth --- De Schrijver Damiaan --- Rovers Daniël --- Robbrecht Daem Van Hee --- Proust Marcel --- Peeters Marnix --- Orwell George --- Op de Beeck Griet --- Office Kersten Geers David van Severen --- Neutelings Riedijk architecten --- Moore Lorrie --- Michon Pierre --- Marias Javier --- Mann Thomas --- Kierkegaard Soren --- Jordan Michael --- Huysmans Joris-Karl --- Hustvedt Siri --- van der Heijden A.F.Th. --- Grunberg Arnon --- Groys Boris --- Graham Dan --- von Goethe Johann Wolfgang --- De Geyter Xaveer --- Alsteens Gérard --- GAL --- Franzen Jonathan --- Flaubert Gustave --- Weiss David --- Fischli Peter --- Fabre Jan --- Dumas Marlene --- DeLillo Don --- Claus Hugo --- Calvino Italo --- Brakman Willem --- Benjamin Walter --- Bekaert Geert --- Adorno Theodor W. --- filosofie --- van der Heijden A.F.Th --- Adorno Theodor W
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Dutch literature --- Arts, Modern --- Literature, Modern --- History and criticism. --- History and criticism --- Arts --- Littérature --- Histoire et critique --- #KVHA:Kunst --- 7.01 --- Kunsttheorie ; Joost Zwagerman over kunst en literatuur --- Zwagerman, Joost --- kunst --- kunsttheorie --- esthetica --- Rothko Mark --- Pollock Jackson --- Hopper Edward --- Guggenheim Peggy --- kunstmarkt --- Castelli Leo --- Saatchi Charles --- Picasso Pablo --- Verenigde Staten --- Parijs --- New York --- Marden Brice --- Twombly Cy --- Duchamp Marcel --- Bad painting --- Richter Daniel --- Dumas Marlene --- Hirst Damien --- Nooteboom Cees --- Warhol Andy --- Reed Lou --- Malanga Gerard --- Koons Jeff --- Crewdson Gregory --- Breukel Koos --- Arbus Diane --- Leibovitz Annie --- Sontag Susan --- Madonna --- Hardwick Elizabeth --- Fens Kees --- Foster Wallace David --- Updike John --- literatuur --- kunst en literatuur --- Bril Martin --- Salinger J.D. --- Nabokov Vladimir --- Brouwers Marjan --- Amis Martin --- Wolfe Tom --- Naipaul V.S. --- Roth Philip --- Cremer Jan --- Ford Richard --- Franzen Jonathan --- Wolff Tobias --- Easton Ellis Brett --- Cunningham Michael --- Moss Kate --- pornofilms --- filmt --- van Gogh Vincent --- van Buuren Maarten --- Campert Remco --- Lohues Daniël --- 7.01t --- Kunst ; theorie, filosofie, esthetica --- Kunstbeschouwing ; Joost Zwagerman over kunst en literatuur --- Naipaul V.S --- Salinger J.D --- Histoire et critique. --- Arts, Modern - 20th century --- Literature, Modern - 20th century - History and criticism
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